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HADYN WILSON

September 3rd - September 14th

 

'Sentient Matters and other paintings'

 

The paintings in this exhibition represent an ongoing interest in how we connect to our environment and what sort a of magic we can conjure from that relationship. We often ask ourselves 'where does reality begin and end?' and it would seem that even something as transitory and ephemeral as a thought has as much validity as an object in the world as a vase or a brick wall, as contemporary ideas in physics testify.

The works in this exhibition represent this idea. An idea that is becoming increasingly popular amongst scientists and thinkers in recent years. That is, that the subjective and the objective are becoming less distinct and in fact overlap and are otherwise blurred and indistinguishable in many different ways. Not withstanding A.N Whitehead's contention that 'this proposition is valid until one is hit by a bus, whereupon the objective reasserts its insistence in the world', these paintings try to explore how this idea can have at least a symbolic presence in culture.

Formally, the works depict a figure and another element (landscape, object, etc) that seeks to create a single poetic statement where the combination of the two elements assert themselves as one object or where the emotional response to the image becomes the object in the painting. This subtle distinction is one that requires the complicit intention of the viewer in understanding how these pictures work.

In a sense they are narrative driven and theatrical compositions that have their genesis in nineteenth century symbolism but also acknowledge aspects of film culture. The narrative content relates predominately to environment and our social, emotional and physiological relationship with it.


Hadyn Wilson 2003

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