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Formally,
the works depict a figure and another element (landscape, object, etc)
that seeks to create a single poetic statement where the combination of
the two elements assert themselves as one object or where the emotional
response to the image becomes the object in the painting. This subtle
distinction is one that requires the complicit intention of the viewer
in understanding how these pictures work.
In a sense
they are narrative driven and theatrical compositions that have their
genesis in nineteenth century symbolism but also acknowledge aspects of
film culture. The narrative content relates predominately to environment
and our social, emotional and physiological relationship with it.
Hadyn Wilson 2003
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